Japanese and Korean Artists Unite for “MIDNIGHT rAGE PARTY!!”
A Border-Defying Musical Fusion Set to Electrify Asia and Beyond
Get ready for an electrifying cross-cultural music event as Japanese multi-artist GeTO and Korean Vocaloid sensation Nunegashi join forces for “MIDNIGHT rAGE PARTY!!” This two-city spectacular is set to ignite stages in Busan and Seoul in June 2026, followed by a highly anticipated solo performance by Nunegashi in Tokyo. This collaboration marks a significant moment, showcasing a new generation of artists who transcend national boundaries through their powerful, individualistic sound.
The “MIDNIGHT rAGE PARTY!!” will kick off on June 13, 2026 (Saturday) at Ovantgarde in Busan, South Korea, followed by a second night on June 14, 2026 (Sunday) at ALIVE HALL in Seoul. These events promise a unique blend of live performances from both artists, complemented by special DJ sets and immersive spatial productions tailored to each venue’s characteristics.
GeTO: The Architect of Solitude’s Sanctuary
Hailing from Japan, GeTO is a multi-talented artist who transforms solitude into a “sanctuary.” Known for his “fully self-sufficient” creative process, GeTO handles everything from lyrics, composition, and arrangement to video production and art direction. His unique philosophical perspective, infused with SNS-driven culture, has garnered significant attention, particularly in Korea, where his works have gone viral.
The artist name “GeTO” is a reinterpretation of the word “Ghetto,” originally signifying an isolated place. GeTO redefines it as “a supreme place of expression inviolable by anyone,” transforming the experience of being alone not into a tragedy, but a sacred space for reclaiming one’s life. His uncompromising production style aims to imprint his internal vision directly onto the listener’s mind, noise-free. His ambitious track “充Den中” (Jūdenchū, meaning “Charging”), which fuses Japanese melancholy with Western minimalist beats, became a viral hit on Instagram, resonating with Korean listeners through its positive message of viewing solitude as a period for recharging. Other notable works include “ONI TAIZI,” depicting everyday absurdities through traditional Japanese instruments and electronic bass, and “三文芝居” (Sanmon Shibai, “Three-Penny Play”), a powerful track confronting self-loathing with venomous lyrics and danceable beats.
Nunegashi: The Thorn in the Eye, a New Vocaloid Vanguard
Nunegashi, based in Korea, stands as a torchbearer of a new era, bridging Japan and Korea with his distinctive sound. While rooted in Korean culture, he inherits the genetic code of Japanese Vocaloid culture, evolving it into a unique musicality where digital precision meets raw emotion. His artistry has amassed fervent support across borders.
The artist’s name, “Nunegashi,” translates to “a thorn in the eye” in Korean, signifying an annoying or conspicuous presence. By deliberately embracing this label, Nunegashi becomes a voice for those who feel out of place in mainstream society. His music offers a journey not of removing one’s “thorns,” but of learning to cherish them as unique aspects of one’s individuality. This beautiful sense of dissonance creates an intense, addictive quality that, once experienced, is hard to shake. Industry heavyweights in Japan, including music producer Koichi Tsutaya (known for working with Kenshi Yonezu and Official Hige Dandism) and the esteemed music media “ROCKIN’ON JAPAN,” have universally praised his work, stating, “Anyway, the songs are just good.” This simple fact has made even the titans of the Japanese music industry take notice, signaling a shift from mere expectation to firm conviction regarding his talent. His performance at the Japan-Korea joint festival “CONCRETE JAM” already proved his immense potential to make people dance with sound alone, regardless of language or nationality. His representative song “H.U.R.T” is an emotional and sharp rock number that gained him widespread recognition, while “終焉が目@前に！” (Shūen ga Me@mae ni!, “The End is Nigh!”) marks his first Japanese-lyric song, fusing Vocaloid-style urgency with lyrics that mock a world on the brink of collapse.
The Rage Extends to Tokyo: Nunegashi’s Solo Showcase
The excitement generated in Korea will not be confined there. Following the “MIDNIGHT rAGE PARTY!!,” Nunegashi is set to hold a solo performance at Shimokitazawa SHELTER, a venue revered as a sacred ground for rock music in Japan. This event, scheduled for July 15, 2026 (Wednesday), will see the energy refined in the two Korean cities directly imported back to Japan, marking a full-circle moment for this cross-border project. Further details for this Tokyo show will be announced via official SNS channels.
Event Details: MIDNIGHT rAGE PARTY!!
-
Artists: GeTO / Nunegashi
-
Dates & Venues:
-
June 13, 2026 (Sat) – Ovantgarde, Busan, South Korea
-
June 14, 2026 (Sun) – ALIVE HALL (Hongdae), Seoul, South Korea
-
-
Ticket Prices (Tax Included):
-
Busan: VIP 6,600 JPY / General 2,200 JPY
-
Seoul: VIP 8,800 JPY / General 4,400 JPY
-
(Note: Prices are in Japanese Yen. Korean Won prices may vary depending on local ticketing platforms.)
- VIP Benefits (Common for both days):
- Pre-show rehearsal viewing (2 songs, 1 chorus)
- Original T-shirt
- Original rubber band
- Autograph session for personal merchandise (up to 3 items)
-
This monumental collaboration between GeTO and Nunegashi symbolizes a vibrant future where the boundaries of music are continually blurred, fostering deeper cultural understanding and shared experiences. As these artists bring their unique sounds to new audiences, they are not just performing; they are actively shaping the evolution of pop culture, perhaps even influencing the global reach and diverse interpretations of “Kawaii culture” itself, by injecting it with raw, boundary-pushing artistic expression. Their journey promises to inspire and redefine what it means to be a global artist in the modern age.
